It is obvious that Delignys non-panoptic cartographic conception has profound effects in Guattari a

Image of Fernand Delignys Cartes et lignes d'erre / Maps and wander lines. Traces you réseau de Fernand Deligny 1969-1979, L'Arachnéen, 2013.
M een 1965 and 1967, the French poet and ethnographer Fernand Deligny connected to the alternative clinic tukans La Borde, invited by Felix Guattari and Jean Oury. In 1966, he meets there the twelve year old autisten Janmari, whose mother entrusts him to Deligny, tukans which at this time reflects on what a non-verbal language would be and over the ways in which what he calls the near surroundings," that is, teachers or parents can accept that invented, 'recreated' in relation to a specific, abnormally, complicated child." The issue causes him to leave La Borde to install to Guattari's property in the mountainous Cevennes in southern France, where he in 1968 founded a network for the care of autistic children. In this work, uppritandet of maps to play a central role. By placing the writing in the sign of Janmaris infra-verbal drawing (constant repetition of small waves and ripples that can be studied in the recently published book Journal de Janmari (Arachnéen, 2013)) suggests itself Deligny put the maps in the sign of a more original joint space, outside of language, the basis for an exchange that is beyond the social rules and categories for the normal and the pathological.
Nothing is more instructive," writes Gilles Deleuze in an essay in Critique et clinique, than the paths taken by autistic children as Deligny show them on maps [...], their trails, their hesitations and step back, all their idiosyncrasies . The maps show the stay areas" as the children move in, territoriality for their affects and relationships with adults, the way they act and feel. In particular, highlights the what Deligny from 1972 calls lignes d'erre, irrlinjer where children, inside the general pattern of their routine movements, can be seen to move away from the forms of territoriality tukans that can be mapped by a identifieringsdispositiv, within tukans a space guided by clearly distinguishable objects.
It is obvious that Delignys non-panoptic cartographic conception has profound effects in Guattari and Deleuze and Guattari reading of the map, territorial dispositive. Similarly retrieves Deleuze tukans notorious lines of flight" a large part of its rupturing force from irrlinjerna in the delignyska network Cévennes. But what in recent tukans years has become increasingly apparent, thanks tukans to the almost obsessive publishing the work of Sandra Alvarez de Toledo and her team, the importance of Delignys tukans difficult to classify and diverse "projects without project" in its own right. 2007, the 1848 pages comprising Fernand Deligny. Oeuvres, who the following year was followed by L'Arachnéen et autres textes. In 2013, both the said Journal de Janmari and, just recently, Cartes et lignes d'erre / Maps and wander lines. Traces tukans you réseau de Fernand Deligny 1969-1979 published, all at the same publishing house, L'Arachnéen, named after an essay by Deligny from 1981/1982 (referring to the "spider-like" in an autistic way of being and on the web as of the network in the Cevennes as Deligny creates separate from your professional psychiatrists or social workers, tukans but with a number of unpaid workers, farmers and students). If you add these books a DVD edition of Delignys movies in 2007 (Éditions tukans Montparnasse), exhibitions in 2012 by Delignys maps at the Palais de Tokyo in Paris, and in the context of the 30th São Paulo Biennial, as well as a full day seminar on Deligny during Collège international de philosophies thirty anniversary now in June, we can conclude that the prospects for a better understanding of Delignys tukans idiosyncratic thinking, where perhaps the maps are the most important invention, today is greater than ever before.
Three years after the publication of the said Fernand Deligny. Oeuvres was found 300 maps drawn in the network between 1969 and 1980. In Cartes et lignes d'erre / Maps and wander lines ... rendered nearly 200 of these maps, arranged chronologically and based on the places they come from, so that almost the entire delignyska network, with all its singularities, is taking shape again. The maps are accompanied tukans by descriptions made by Sandra Alvarez de Toledo based on interviews with Map Display authors (Gisèle Durand, Jacques Lin and several others).
Deligny suggests their employees that they should draw the children's and their own movements to enable them to protect themselves from their awkward tendencies to call or approach the children based on pre-defined criteria, actual performances or a stigmatizing diagnosis and thus miss what there is to see there, lose the chance to leave instängningens and the monitoring logic. Instead of naming, interpret or try to "understand," and instead of forcing these children, who rather just present than they are subject, wil